if you are a budding photographer or have been in the past, you may have come across the question “What types of lights do I need?” While artificial light sources are incredibly useful tools, photographers can get by with only one type of light – natural light.
With a thorough understanding of how natural light works and how it can be harnessed, it can undoubtedly become the only light you need for any type of photography you want to take. What is natural light in photography and how can you use it? In this article, we'll dive into the characteristics of natural light, the variables that affect natural light, and some tips on how to use it to create stunning images.
Natural light is the most basic form of light in photography. While this is what most photographers use when they're just starting out, it's also the light source for many professional photographers. Why? Natural light can take many forms depending on the properties and circumstances.The intensity of a light source is often called the amount of light. Intensity is basically a term used to describe how much light hits an object.
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With natural light, the intensity can vary depending on both the time of day and the weather. For example, the intensity of natural light is much higher on a clear day at high noon. And much lower on a stormy day or a few hours before sunset when the golden hour is approaching.For now, natural light sounds like the ultimate light source for photographers. However, it has its downsides, which is why photographers opt for artificial light sources.
The quality of natural light is highly dependent on variables beyond our control, such as time of day and weather. Because of this, natural light can be extremely volatile and unpredictable.
Artificial light, on the other hand, can be controlled and can be much more consistent. With artificial light, you don't have to wait for a cloud to cover the sun again or be limited by the time of day to direct sunlight. Artificial lights can be moved and redirected instantly.
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Another thing to consider with natural light is that you don't always have full control over the intensity of the light. This can cause you to compensate for the lack of intensity by increasing the ISO or generally throwing off the balance of the exposure triangle settings.
This can lead to more noise or grain in the image.It can also cause you to compromise the overall vision of your image if the light intensity is too strong.It's almost impossible to discuss natural light in photography without talking about the golden hour. Why is the golden hour the most sought-after hour of the day for photographers? How can you use it to enhance your photography? We will answer all this and much more in our next article.
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Natural light photography uses the sun as its light source. The available light from the sun changes depending on the time of day. A sunny day provides full lighting, while an overcast day can provide the photographer with texture and nuance.
Many photographers gravitate towards what is known as the “golden hour” – the period shortly after sunrise and shortly before sunset that is known for its warm light. This is in contrast to shooting in the middle of the day, where direct sunlight can provide too harsh a light on the subject or the subject's face.
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Shooting in natural light offers the following advantages to both professional and amateur photographers: it is affordable. No need to buy expensive artificial light sources.It offers variety. Photos in natural light vary depending on the time of day they were taken. A photo taken during the golden hour will look significantly different from a photo taken in the middle of a sunny day, which in turn will look different from a photo taken at dusk or even at night (with a very slow shutter speed).
It can be used for both portraits and landscapes. Many people associate natural lighting with landscape images, but it is also used for portrait photography. By managing white balance and experimenting with different exposures and camera settings, a natural light photographer can create outdoor portraits that are just as impressive as something taken in an indoor studio.
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It works both indoors and outdoors. Natural light enters buildings through windows and doors and can be used for photography. For example, window photography combines natural sunlight with interior decoration. This form of ambient lighting is easier to work with than direct sunlight because the window light comes from a fixed direction.
The biggest difference between natural light photography and artificial light photography is the actual light source: the sun versus electronic lighting devices. This leads to the following considerations:
Available light. In an artificially lit studio, there will be a light source at any hour of the day. In a natural lighting scenario, whether indoors or outdoors, lighting conditions change with the weather and time of day. Of course, outdoor night photography is certainly possible with artificial lighting.
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Variety of settings. Artificial lighting can create great photos in the context of portraiture, green screen photography, and outdoor night photography. In contrast, natural lighting illuminates entire landscapes and is used in many genres – such as street photography – that are severely limited when only artificial lights are available.
The ability to control the light source. Some types of natural light are difficult to control. A cloudy day can spoil plans to shoot wide landscapes. Too much light on a sunny day can cause unwanted color temperatures. In this regard, artificial lighting is more predictable and is preferred by photographers who cannot afford the need to overshoot.
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Sunlight changes color throughout the day. The soft light of dawn and dusk is dominated by orange and yellow. Midday sun contains more blue light. The sun shining through cloud cover on a hot day produces particularly blue light and can be too sharp for many applications.
Use a reflector. If you've ever seen a film crew working outside, you've probably seen someone holding a large, flexible, silver-plated screen. This is a reflector. It reflects the sunlight towards the camera subject and ensures that it is always more lit from the front than from the back. This allows photographers to create detailed, high-contrast photos of their subjects.
Accept side lighting. One way to use sunlight is to limit its direction. By placing the object indoors, next to a window with an open shade, you can control the flow of light and prevent unwanted backlighting or fading.
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Use a mixture of natural and artificial lighting. Most professional photographers don't have a rule of thumb when it comes to natural lighting. Camera flash can enhance outdoor photography if it comes from an effective distance. Films can use several stationary lighting tools to enhance the sunlight – again with the goal of having more light in front of the subject than behind it. Ultimately, having great photos is more important than having the cleanest technique. Indoor photography comes with a significant problem:
Lack of light. And without light, you can't take beautiful, well-exposed photos. so what are you doing Some photographers turn to artificial lighting such as studio flashes and flashes. But I prefer to keep things natural, so I look for the light coming through the windows and use that to illuminate my subject.
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In fact, once you've chosen your subject, take a walk around your inner space. Think about the quality of light provided by different windows; does it gently flood the room? Does it shine in, and reflect off walls and floors? How would it look when lighting your subject?
Soft light will add a soft glow and harsh light will add a dramatic or moody look. Also, be aware that the color of the light changes during the day. Light appears warm at sunrise, cool at noon, and warm at sunset. Once you are familiar with indoor lighting, you will be able to use it to achieve perfect effects. Some photographers like to choose white balance during post-processing (so they leave the camera set to auto-white balance when shooting).
But while this can work, it's often easier to set the white balance right before taking the photo (plus it'll save you a lot of editing time). So turn off the auto white balance function. Observe the light and consider which white balance preset is best for your situation.
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For example, I usually use daylight for indoor portraits, although you can also select Overcast for a warmer look. And other white balance presets may also work depending on the effect you're going for. Honestly, I'd recommend trying out a few different white balance settings to start with - that way you can determine which look you like and which you'd rather avoid.
(Always keep in mind, however, that white balance results will change depending on the quality of the light. Applying a cloudy white balance to an overcast image will give a neutral look while applying a cloudy white balance to an image lit by warm evening light will actually intensify the warm effect. )
If all else fails, you can always adjust the white balance during editing. Earlier in this article I talked about the importance of windows in indoor photography. But it is not enough to just use Windows. You also need to place the item carefully.
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Specifically, place the subject a foot or two away from the light source. In this way, you will use natural light and also avoid the sharp contrast that comes from being too close to the window. Experiment with lighting effects. Try backlighting, side lighting, and front lighting (just have your model stand in different directions and follow them with the camera!).
Creating different looks in the same scene or location means rethinking our understanding of light as an element of the composition. While light is a dynamic element at your disposal that brings an image to life, the composition is about how you use that light in your work. While the study of light is important to an artist, how you use that light to tell a story is even more important to the success of a painting.
Studying the natural light around you is one way to help you up your game as an artist. Since no light is bad light and each kind can be shaped to create a different look, here are a few different ways to play with three different types of natural light.
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Light is the most important part of photography, period. The nature of the light you capture has a major impact on how your photo turns out. Good light can make a photography portfolio worthy, while bad light can ruin even the most careful composition. But what makes light good? In this article, I will discuss the qualities of natural and artificial light in photography and explain some ways to adjust both natural and artificial light for the best photos.
The most important natural light source in photography – by far – is the sun. Sunlight can be harsh, soft, colored, diffused, or any of dozens of combinations. Understanding how sunlight shapes your images takes some experience, but it opens up a wide range of photographic opportunities.
Natural light can come from other sources such as volcanoes, bioluminescence, firelight, or even starlight. However, all-natural light sources have in common that you have to work with them. Unlike how you can modify artificial light, there is usually a much more limited range of things you can do to change natural light.
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One of the biggest advantages of natural light is the very fact that it is natural and usually looks right to the eye of your viewer. While cameras don't perfectly replicate what we see, in various ways the shadows, directionality, and tones created by natural light are usually familiar and normal to those viewing your photos. While harsh natural light like the midday sun can still cause problems for your camera because it's too contrasty, it won't look "bad" the way badly used artificial light would.
Another great advantage of natural light is its abundance. It probably goes without saying, but if you're working in the sun, you don't need to spend time setting up flashes or dialing in the color temperature of your light source. Natural light is quick to work with and is almost everywhere (at least during the day).
Finally, it is often said that using natural light is "easier" than using artificial light. And while I don't like that statement, it's true that a beginner photographer who doesn't understand flash will find it easier to get good results with natural light. The reason I don't like this approach is that it's a bit lazy. You should choose natural light because it works for your photo, not because it's easier than learning how to use flash.
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The most basic way to "adjust" natural light is to move the subject into shadow. Whether it's a shade from a tree or a building - or even some artificial shade from an umbrella/diffuser - moving into the shade can transform harsh, angular light into a softer, more flattering light.
By going into the shade, you eliminate the impact of direct light hitting your subject. This results in softer shadows and, depending on how the light fills the shaded area, can create more fill on the subject.
One thing to watch when transitioning to shadows is the relationship between the brightness of the subject and the brightness of the background. As with artificial light, this relationship plays a major role in the appearance of your image. A bright subject on a dark background is figuratively highlighted for your viewer, while the opposite type of photo (with a bright, sunny background) can look very bright and cheery.
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